One of the many projects of Arthur Russell, the man behind Loose Joints - Is It All Over My Face and Dinosaur L - Go Bang. Russell is the subject of a new documentary, and also a biography by Tim Lawrence, author of Loves Saves The Day. I think this edit was done when Junior Vasquez was working at Arthur Baker’s studio, Shakedown Sounds.

Lola - Wax The Van (Junior’s Awesome Edit)

A few pictures from the July 90 issue of a UK fanzine called Soul Underground.

Tape generously shared by Luis and Ulises Aviance. Used to love it when Junior would drop the “Lost in Music” sample and go off into a section of deep, hypnotic tracks.

Junior Vasquez, Sound Factory, New Year 94 side A
Junior Vasquez, Sound Factory, New Year 94 side B

This is the best I can do for a tracklist, any help filling in the blanks would be appreciated:

Side A
?
? get down to the funky beat
? what is house
Anthony Acid – You Can’t Forget
Paperclip People – Throw
Jark Prongo – Shake It
? DJ Pierre

Side B
? DJ Pierre
DJ Duke - Throw Ya Hands (In The Air)
Phuture Scope – What is House Musik?
51 Days - Tracktion
Deep Dish Presents Quench - High Frequency
? house music is a state of mind
?
DJ Pierre – Muzik Set U Free (Wild Pitch)
?

Thanks to eleeut for the 51 Days ID, love that track. It’s on AudioJelly along with Paper Moon, another 51 Days track that got a lot of play at Sound Factory: http://www.audiojelly.com/

Frankie Knuckles, interviewed by Frank Broughton February 27, 1995. DJ History has also just posted an interesting interview with Cedric Neal about Ron Hardy, The Music Box, and the 80s Chicago scene.

Unusual to see something like this make it into the pages of Time. I’ve been a fan of David Simon’s work since Homicide - Life on the Street (for anyone who’s not seen that show, there are reruns on Sleuth TV, the early seasons are particularly inspired) and The Wire was about as good as TV can get I think. Simon’s excellent book “The Corner” is probably his most detailed excoriation of the so-called war on drugs.

http://www.time.com/time/nation/article/0,8599,1719872,00.html

The Wire’s War on the Drug War
By Ed Burns, Dennis Lehane, George Pelecanos, Richard Price, David Simon

We write a television show. Measured against more thoughtful and meaningful occupations, this is not the best seat from which to argue public policy or social justice. Still, those viewers who followed The Wire — our HBO drama that tried to portray all sides of inner-city collapse, including the drug war, with as much detail and as little judgment as we could muster — tell us they’ve invested in the fates of our characters. They worry or grieve for Bubbles, Bodie or Wallace, certain that these characters are fictional yet knowing they are rooted in the reality of the other America, the one rarely acknowledged by anything so overt as a TV drama.

These viewers, admittedly a small shard of the TV universe, deluge us with one question: What can we do? If there are two Americas — separate and unequal — and if the drug war has helped produce a psychic chasm between them, how can well-meaning, well-intentioned people begin to bridge those worlds?

And for five seasons, we answered lamely, offering arguments about economic priorities or drug policy, debating theoreticals within our tangled little drama. We were storytellers, not advocates; we ducked the question as best we could.

Yet this war grinds on, flooding our prisons, devouring resources, turning city neighborhoods into free-fire zones. To what end? State and federal prisons are packed with victims of the drug conflict. A new report by the Pew Center shows that 1 of every 100 adults in the U.S. — and 1 in 15 black men over 18 — is currently incarcerated. That’s the world’s highest rate of imprisonment.

The drug war has ravaged law enforcement too. In cities where police agencies commit the most resources to arresting their way out of their drug problems, the arrest rates for violent crime — murder, rape, aggravated assault — have declined. In Baltimore, where we set The Wire, drug arrests have skyrocketed over the past three decades, yet in that same span, arrest rates for murder have gone from 80% and 90% to half that. Lost in an unwinnable drug war, a new generation of law officers is no longer capable of investigating crime properly, having learned only to make court pay by grabbing cheap, meaningless drug arrests off the nearest corner.

What the drugs themselves have not destroyed, the warfare against them has. And what once began, perhaps, as a battle against dangerous substances long ago transformed itself into a venal war on our underclass. Since declaring war on drugs nearly 40 years ago, we’ve been demonizing our most desperate citizens, isolating and incarcerating them and otherwise denying them a role in the American collective. All to no purpose. The prison population doubles and doubles again; the drugs remain.

Our leaders? There aren’t any politicians — Democrat or Republican — willing to speak truth on this. Instead, politicians compete to prove themselves more draconian than thou, to embrace America’s most profound and enduring policy failure.

“A long habit of not thinking a thing wrong, gives it a superficial appearance of being right,” wrote Thomas Paine when he called for civil disobedience against monarchy — the flawed national policy of his day. In a similar spirit, we offer a small idea that is, perhaps, no small idea. It will not solve the drug problem, nor will it heal all civic wounds. It does not yet address questions of how the resources spent warring with our poor over drug use might be better spent on treatment or education or job training, or anything else that might begin to restore those places in America where the only economic engine remaining is the illegal drug economy. It doesn’t resolve the myriad complexities that a retreat from war to sanity will require. All it does is open a range of intricate, paradoxical issues. But this is what we can do — and what we will do.

If asked to serve on a jury deliberating a violation of state or federal drug laws, we will vote to acquit, regardless of the evidence presented. Save for a prosecution in which acts of violence or intended violence are alleged, we will — to borrow Justice Harry Blackmun’s manifesto against the death penalty — no longer tinker with the machinery of the drug war. No longer can we collaborate with a government that uses nonviolent drug offenses to fill prisons with its poorest, most damaged and most desperate citizens.

Jury nullification is American dissent, as old and as heralded as the 1735 trial of John Peter Zenger, who was acquitted of seditious libel against the royal governor of New York, and absent a government capable of repairing injustices, it is legitimate protest. If some few episodes of a television entertainment have caused others to reflect on the war zones we have created in our cities and the human beings stranded there, we ask that those people might also consider their conscience. And when the lawyers or the judge or your fellow jurors seek explanation, think for a moment on Bubbles or Bodie or Wallace. And remember that the lives being held in the balance aren’t fictional.

A few old Sound Factory flyers circa 92-94, they used to make these big fold-out poster size productions. I have a vague recollection of the first one, although why it would stick in my mind I have no idea. Remember the Queens on the Nile party, think it was probably 93, although all I can really recall is a bunch of muscle queens carrying someone to the stage on a bier (maybe to the sound of the music from Cleopatra?). These are all from the website of Fumi Kondoh, a Japanese DJ and producer and Factory regular, an interview with him can be found on The Underground Files (this is a Google cache link as the website is down right now).

From a new album due out in October, involving collaborators Sly & Robbie and Wally Badarou from the legendary Compass Point sessions. Love the way this video works against a white background, keep hoping Grace will burst out of the frame and start taking over the entire screen.

Evelyn “Champagne” King looking fierce, gorgeous and happy on a TV show called Soap Factory Disco in 1978. Only problem with this video is that it’s too short, wish it had the rest of the performance. There’s a little more information on the Soap Factory on the Discomusic.com site, including a comment from original DJ Lou Capurso.

Some footage of Willi Ninja and Underground Network at Sound Factory Bar circa 1994, from a Japanese documentary.

Simplified Audacity edit of the Tony Humphries t-scat mix.

Make it on My Own T-scat edit